Films of 2018 - Part Two and Winner

Here we go

3. American Animals

A fabulous surprise at one of Odeon’s Screen Unseen screenings (they charge £5 for you to watch a film but you don’t know what it will be. It promises to be a film as yet unreleased so you definitely haven’t seen it.)

Based on a true story surrounding a group of young whippersnappers who plan a heist of one of the world’s most valuable books from their college library. As ever, the heist is only half the story.

The fantastic thing about what sets this apart from a standard heist movie is in its method of storytelling. It combines dramatised scenes with interview footage from the actual students who pulled it off. The same filmmaker used a similar technique on his documentary ‘The Imposter.’ The story device is genius and how they interact the real people with their fictional counterparts was a blast and genuinely funny. At times it can become quite dark as with The Old Man and the Gun, at the end of the day, they are thieves and people are at risk from being hurt but their charm and amateurish characteristics do soften the edges. Well acted (even with the real thieves) and originally structured. 

2. Coco

One of the first films I saw in 2018 and nothing else compared (until the summer). Pixar follows a certain story pattern in most of its films which can be boiled down if need be where only the location and setting is markedly different than the last. I don’t think about that too much however because if it ain’t broke, don’t fix it.

Pitching an expensive animated movie about a Mexican child who learns about grief and family whilst in the afterlife would normally be impossible for a studio to accept but as we know Pixar is no ordinary studio and Disney have learnt to just leave them to it and watch the accolades and dollars roll in.

Coco has many things in its wheelhouse. Amazingly catchy songs.

Tugging the appropriate heartstrings.

But above all else is stunning animation that brings Day of the Dead back to life. This is what eyes were invented for. 

Your kids (find some if you don’t have any) will love the songs and subconsciously understand more about death in a controlled environment. Granted it’s not as funny as a Toy Story and there is not as much action as The Incredibles but it has the heart of Wall-e and Inside Out.

Pop Coco in your player now!

1. 

Mission Impossible : Fallout

Aside from it’s humble 1995 beginnings, I’ve seen every other instalment in the theatre and the franchise has never reached the echelons of comic book adaptations or Will Smith summer tentpoles. Mainly because of the polarising star wattage of Tom Cruise. Yes he’s Tom Cruise but in reality his box office power isn’t as shit hot as you think. In his career he’s had four movies that have made over $200 million at the US box office. Vin Diesel already has eight mostly thanks to his petrol head familia. Most people don’t give Mission Impossible another chance since they saw Tom perform motorcycle ballet in MI:2 in 2000 but what they would have missed is a system not too dissimilar to running Doctor Who. Get a new director each time to give their take on the genre and it’s slowly become a new entity that is almost unrecognisable from 1995 Ethan Hunt. More comedy, more teamwork.

Of course the final aspect is the stunts and it’s this aspect thats unique in that the star himself takes them on and the studio is only too happy to promote this fact. Tom hangs off the mountain, he hangs off the plane, he hangs off the building. He loves hanging but because we know he actually is hanging, it takes on a meta-feel that we know it’s a film but we also know it’s a mad man who gets a hard on from putting his life in peril.

Now that I’ve bored you on the history, let me tell you. 

This film is the fucking bomb!

And the first thing is did was break it’s tradition of hiring new directors. Chris McQuarrie (writer of The Usual Suspects) returns from his stint on Rogue Nation to helm once more and the sense is that he perfected anything he didn’t like with Rogue and knew exactly what to ramp up on Fallout. Also it’s fairly simple for newcoming audiences to join in the fun. You don’t need to know what Ethan Hunt hung off or ran away from 5 years ago.

It’s a perfect action blockbuster. That’s why it’s top of my list, it could never match the uniqueness of Sorry to Bother You or the dramatic intensity of Widows or the heart of Coco but what it is designed to do it did flawlessly and that’s all it can aspire to do. 

The action scenes in Fallout can leave you breathless because for the most part they’re genuine. Tom drove around the Arc De Triomphe the wrong way, he actually jumped out that plane, he actually hung on that helicopter and yes he actually broke his ankle on THAT jump, which they kept in the movie. They also perfected the team aspect which has always been tinkered with with each film, they just let them get on with it.

Its that good I saw it twice in the cinema and once more at home for good measure. It’s that good that I listened to a 4 hour podcast about it and it’s that good that it’s my film of the year 2018. Light the fuse. 

2018 in full

5* Mission Impossible Fallout

Coco

4* American Animals (HG)

Sorry to Bother You

Phantom Thread

The Old Man and the Gun

Ready Player One

Black Panther

A Star is Born

Mollys Game

Widows

Avengers Infinity War

First Man

Sicario 2 : Soldado

Three Billboards Outside Ebbing, Missouri

Journeyman (HG)

Three Identical Strangers (HG)

Thoroughbreds (HG)

Blockers (HG)

The Package (HG)

Creed 2

3* A Quiet Place

Unfriended : Dark Web

Deadpool 2

The Ballad of Buster Scraggs 

The Foreigner

Ant-man & the Wasp

Incredibles 2

Downsizing

They shall not grow old

Blackkklansman

Isle of Dogs

The Shape of Water

A Simple Favour

Game Night

The Disaster Artist

Head full of Dreams

Red Sparrow

Smallfoot 

Gringo

Hostiles 

2* Solo

The Post

You were never really here

All the Money in the World

Jurassic World Fallen Kingdom

Tag

The Greatest Showman

Equalizer 2

Hurricane Heist

The Cloverfield Paradox

The Predator

Mile 22

Den of Thieves

I, Tonya

Hotel Artemis

Skyscraper

Annihilation

Darkest Hour

Jumanji - Welcome to the Jungle

I Feel Pretty

Rampage

1* The Commuter

Venom

Fifty Shades Freed

Films seen

2015 - 71

2016 - 67

2017 - 56

2018 - 66

Films of 2018 - Part One

Here we go!

10. Molly’s Game

The directorial debut of Aaron Sorkin. For me, I’ve been a fan of Aaron’s since West Wing and Studio 60 on the sunset strip but his cinematic writing has graced my list in the past with Moneyball and The Social Network. Whilst Molly’s Game is not equal to those earlier works, it’s a fascinating true story concerning Molly Bloom, an ex professional ski jumper who found herself running one of the most famous poker tables you’ve probably never heard of, let alone be invited to. Jessica Chastain plays Molly brilliantly while Idris Elba is able to utter Sorkinese as well as the rest of them. It’s place on the list is somewhat intensified by my love of all things Sorkin but take that away and it is still a great watch with no poker experience required.

9. A Star is Born

On paper it shouldn’t have appealed to me. A musical vanity project by Bradley Cooper whose work is admittedly hit and miss starring part time actor, full time screecher Lady Gaga. 

However.

It works so well. It works that the ‘star’ is stripped back and vulnerable as Lady Gaga should be taking on this challenge. It works that Cooper plays her mentor with his own demons to banish and it works when they sing together. 

For me, the third act isn’t as smooth as the rest of the film which is why it’s not higher but it’s a small grumble that doesn’t stop it from being a 4* film that should win over anyone who has preconceptions about Gaga or the film in general.

8. Black Panther

What else can be said of this film that has not yet been said? The second biggest film of the year worldwide but more astonishing is that it will end the year as the biggest film in the US having made $22 million more than it’s big brother, Avengers Infinity War. Black Panther’s contribution to modern culture and the landscape of blockbusters is perhaps too early to predict but it seems to have hit a chord with young Americans that may feel underwhelmed by the diversity of Hollywood casting and story development. 

This was an intelligent, finger on the pulse action movie with things to say. It was about family, sacrifice and stepping up regardless of how ready you are.

7. Ready Player One

Did Adam just pick a shit film in his list? Maybe you thought so but I thought this was a tremendous throwback to Spielbergian blockbusters of the past which is handy as Spielberg directed it. 

Seen as one of the best Dystopian books of the last ten years, weirdly the author peppered the book with dozens of Spielberg references which made it hard for ‘the beard’ to adapt as taking too many out would change the feel of the story dramatically. 

This is in my list massively influenced by my love of the book but also how it managed to adapt it successfully. Above all else, the film is pure fun and enjoyment. Is there any twists or deep character development, not really. It’s just a great time. The Easter eggs to be found are purely endless. There’s a 20 min You Tube video listing them all so when you spot them yourself, it’s as satisfying as getting an answer right on University Challenge. I’ve seen it three times now and I’ve enjoyed myself every time.

6. The Old Man and the Gun

Directed by David Lowery (his last film, A Ghost Story was my film of 2017) this has been promoted and sold as supposedly Robert Redford’s final acting performance. It’s rare that an actor a) retires and b) signals their final performance so only time will tell if it turns out to be true. Speaking of true, this tale is far fetched but again supposedly based on real events. Redford plays an ageing bank robber who falls in love but can’t quite escape his actual true love...robbing banks. A gentle drama/comedy, it feels like it should have been made in the 1970’s and if it had it would probably be considered a classic now. 

The great thing about this movie is how it goes at its own pace and doesn’t conform to modern film structure. The actors are given time to act, the landscapes are fully utilised, the music is spot on and as Mark Kermode and many reviewers have commented on, you just leave the cinema with a smile on your face. A delight.

Personally speaking, I saw this after a very early shift in work and when the credits rolled, the name Elizabeth Moss came up. I couldn’t even remember seeing her in the film and it took me a couple of days and help from a colleague to discover that I must have fell asleep for a brief scene in the second act. Whilst I don’t consider that to be a criticism of the film, I couldn’t in good conscience place this any higher for a film that I hadn’t seen in full. 

5. Phantom Thread

Any Paul Thomas Anderson film now is seen as a cinematic treat to begin the year and this is no exception although admittedly looking at his work I’ve seen a lot less of it than I imagined which is strange seeing as I love every film I’ve seen of his. 

This is no exception.

Timothee Chalamet may be heralded as the "actor of his generation" but surely Daniel Day Lewis was the actor of ‘his’ generation and like a Robert Redford earlier, Daniel claims that this is his final performance.

A film (movies are movies and films are films, this is a film) concerning dress design does not immediately press my buttons but it is so gorgeously staged and shot that each scene that passes is a masterclass in cinema. Although it sounds like I couldn’t rate this higher, clearly I didn’t seeing as 4 other films rated higher in my list but for many critics, this would be at the pinnacle of their year.

4. Sorry to Bother You (blind viewing)

The 66th and as of writing, final film that I saw this year nearly reached the podium. The films entire existence was unknown to me until very recently when I noticed that it was getting decent US box office takings for a small budgeted film. I then learned that the star was Lakeith Stanfield (Atlanta) so my interest was captured. Those were the only details I knew going in and I was unaware that it would be an ultimate Head Fuck of a movie. It’s also a seriously ‘marmite’ experience where I could entirely imagine that you will either love it or hate it and not much inbetween. The plot will either annoy you and tempt you to leave the cinema or you will want to tell the whole world about it the second you leave the cinema. It’s hard to believe film companies with real life money were persuaded to part with their investments when they were pitched the plot. It’s bonkers but hella inventive and hip as fuck with a great cast that was unbeknownst to me until they appeared. You’ll be hard pressed to find a screening once Mary Poppins comes out this week so it will most likely be on demand viewing but it’s not on demand viewing but I demand viewing as you will not want to miss one of the most original offerings of 2018 and originality goes a long way even if some of it is just too bat shit crazy to stick to the wall (e.g entire third act). The definition of hidden gem.

Hidden Gems and Honourable Mentions

If you read the title you’d think that this is just Adam recommending films that may fly under the radar and that’s correct, however for myself, Hidden Gems represent seeing a film with hardly any context as to its plot or most of the times not even seeing a trailer.

Watching a film ‘blind’ is a experience everyone should do more often and can result in masterpieces or simply a good time without any predetermined conclusions. Therefore delving into the plot won’t happen here. You need to see it for yourself.

Here are 5 such examples.

Journeyman

Directed and starring Paddy Considine. I knew it was a boxing film but beyond that I knew nothing about where it planned to go so it was a shock to see when the second act begins. As great as Considine is, current (non medical) Doctor Jodie Whittaker takes most of the heavy lifting in terms of acting depth. This will stay with you for days after.

The Package (Netflix)

Think The Hangover meets American Pie and with the same heart and silly natured laughs. Very daft. If I explained the premise, you would say that it sounds like it’s for teenagers and maybe it is but the laugh rate is way up there.

Blockers

The kind of film Judd Apatow would make if he had a low budget and was forced to keep it under 2 hours. The chemistry between the two sets of characters is pitch perfect. All of the young cast are set for bigger things.

Thoroughbreds

Slow burning coming of age drama concerning two girls who reconnect to fantasise about murder. Damn I said I wouldn’t say any plot. It’s classy, moody and if you cut it open it would spill thick black humourful blood. 

Three Identical Strangers

A documentary concerning the above strangers who come together under pure luck and take New York by storm. But that’s just half the story...

A hidden gem that has just come out in UK cinemas but should be streaming within a few weeks. 

Honourable Mentions

Widows

An adaptation of a Lynda LaPlante book and UK TV series but slick as hell.

After a group of thieves perish following their latest heist, the widows of the thieves group together forced to pick up the debt they owed by attempting a heist of their own. Each widow is motivated by their own reasons however the majority of our attention is focused on all time hall of fame cry acting champion Viola Davis. 

This film made the list due to its relatively simple premise yet stylish vision and top notch tension. Some of the camera movements are amazing and the music keeps you in the zone for when the eventual heist sequence hits. Somewhat of a box office disappointment in the US and also unlikely to bother the Oscar voters but still a great nights entertainment. 

Avengers Infinity War

And so the master plan comes together and luckily they stuck with arguably the best action directors of Phase 2/3 in the Russo Brothers (Winter Soldier and Civil War). The scale is unimaginable and also an impossible task to make a perfect movie, my one major problem was how much of it was based off earth. As far as I was concerned, their on-the-ground fight scenes are amazing but most of it was not. Again, it’s impossible to please everyone. Here’s hoping they say FU to the marketing and don’t release any footage in their trailers apart from Pepper Potts reading a quarterly financial report. Went in blind having seen no trailers and I will do so for the next instalment also.

First Man

Damien Chazelle’s third feature film and the only film of his not to make my top 10. Visually and orallly stunning but the story of man’s trip to the moon stuttered for me when they focused on the scenes at home. People I’ve spoken to have said that they loved those scenes but for me it needed a rocket boost up the arse. The flight scenes however are monumental and need to be seen as with Infinity War on the big screen to be fully understood and absorbed. Similar to Gravity, if you watch it for the first time on ITV2 or Netflix, you will think what the fuss is about. 

Sicario 2 : Soldado

For a long period of 2018, this hung on my top 10 list before I had to come to the realisation that it’s good just not top 10 good. A completely worthy sequel to the original Sicario which focuses on the Benicio Del Toro’s shady government character as he and Josh Brolin attempt to twart the drug trade from within. Extremely tense.

Three Billboards Outside Ebbing, Missouri

This was one of the first films I saw in 2018 and similar to the Oscar voters who seem to snub films that come out in Summer, the films you see first tend to leave your memory in place of the Meryl Streep film you just saw. So this film slid down the rankings possibly based on bad timing but most of my no1 films come out in the Spring so I’ve just voided my own argument I guess. The film has a Coen brothers feel to it (it was actually made by the director of In Bruges) with dark humour surrounding a mysterious death.

Next week :

Films of the Year Part One

(Hopefully seeing Roma this week so hopefully that will alter things somewhat)

Kevin Hart in a Nutshell

Kevin Hart...in a Nutshell

Oh dear god. If you’re asking me about him, something biblical has happened.

Maybe.

Ok I’ll bite. WOW KEVIN HART! I LOVE HIM AND EVERYTHING HE’S EVER SAID IN THE HISTORY OF WORDS. 

Funny you should say that.

Fuck, I knew it! 

So on Tuesday, Kevin Hart was announced as the host of the 91st Academy Awards.

What a great choice. I love the content of his twitter feed. 

However, the choice of host was quickly attacked due to the content of Hart’s twitter feed.

Double Fuck! Like what!?

On twitter dated 11 Jan 2011.

“Yo if my son comes home & try’s 2 play with my daughters doll house I’m going 2 break it over his head & say n my voice “stop that’s gay”

Ok, that looks all types of bad. Did he apologise?

He said that he’s addressed those historic tweets in the past and that he wouldn’t apologise for them again.

Then what happened.

He apologised for them again and quit as Oscars host.

Noooooo! Does that mean I can’t laugh at Ride Along 2 anymore?

Yes. In less than 48 hours after announcing his new gig, he removed himself from it and Mr Oscar is now scrambling for a new presenter.

This is yet another example of companies and organisations not vetting their potential partners.

Errr actually yes it is. That’s a very astute and mature comment to make. Maybe these conversations are helping mould you into a bet-

So what dumbshit is gonna take the job now?!

Well insiders claim that hosting is the most unwanted job in Hollywood. Hugh Jackman had the job a few years back and was largely lambasted.

You mean Logan The Greatest Showman can’t even do the business? So who’s the next unfortunate hopeful?

Billy Crystal is sure to be the favourite. It wouldn’t be the first time he has replaced an academy host following a gay slur scandal. Eddie Murphy left in 2012 following a comment made by Oscar producer Brett Ratner.

Well I hope Kevin has learned a hard lesson. At least he has his blossoming film career. I hear that there’s a sequel to The Secret Life of Pets out next summer. Hart and Louis CK were great in that. 

You don’t go online much do you?

Nope, I find it best just to not go on twitter. I just like to wake up to some R Kelly, go to work, settle down with a Kevin Spacey movie and disrespect my girlfriend for being the lesser gender.

#metoo

#whatsthat

The Worst of 2018

Since I got my Odeon Limitless Card in the summer, I’ve been able to see more films that I may have not paid to see in the first place. This means that this list is arguably stinkier than ever before. There is no redemption for these 5 flicks, no second opinions, no "I think you’re being harsh." They’re straight up dogshit and I’m going to attempt to not waste too much time getting worked up about them.

So let’s go. 

I Feel Pretty

This film provoked a backlash when the trailer was released as it seemed to indicate that you’re happiest when you’re beautiful. The filmmakers insisted that you dispel those notions when you see the film. Turns out the initial reaction was mostly correct. Yes of course they try to force a message down your throat in the final act about how you can be beautiful no matter what you think your flaws are. Turns out the film is pug ugly and there are no hidden qualities inside it. It’s highly unfunny which is tough for a film selling itself as a comedy. It feels like it should have been made in the 90’s. The Amy Schumer express is nearing the end of the line and it needs to find some new track.

Fifty Shades Freed

Some may ask, why did you even watch it in the first place?

A) I’m married

B) I prefer to be happily married

C) I like to laugh at shit films in front of my partner.

This is the opposite of I Feel Pretty. It’s hilarious.

The dialogue is delivered as if it’s a bad Saturday Night alive sketch.

Luckily this seems to be the last instalment and box office takings are way down since film number one. 

Avoid.

Rampage

If there’s anything that 2018 taught us, it’s that as unlikely as it may seem, we can sometimes be given too much Dwayne Johnson content. This resulted in some of his efforts being largely ignored and Rampage is one of those. There’s nothing absurdly wrong with this video game adaptation except that its complete and utterly beyond boring. By the numbers blockbuster chuffa with no unique style substance. Actually looking at this list, if all of these films were made in the 90’s, they may be considered cult classics by now. 

The Commuter 

A few years ago, Liam Neeson decided that he was the schoolground cock of the Geri-action genre, hell he practically invented it. So he just said yes to any old bollocks that came his way. One of those projects was Non Stop, an mystery set on a plane. Kind of like Flightplan but somehow worse. Years later, the maker of Non-Stop thought "what else goes Non-Stop?" And now we have The Commuter. If you haven’t guessed by now, it’s Non Stop...on a fuckin train. 

Sigh.

Finally...

Venom

Oh

Dear

God

How many times can Sony fuck up this character? Twice at least it seems. We all kinda knew this was coming. The pictures on set, the trailers, the accompanying Eminem soundtrack, the lack of buzz even with hours to go until it’s release. However some of us held out hope. We believed Tom Hardy was immune to bad decisions (except This Means War). This film is a travesty. You know it by how fast it ends up on Film Four. Guaranteed before next Christmas I reckon. 

The acting is bad, the action is bad, the plot is bad, the editing is bad. This isn’t one of those "there’s a good film in there somewhere" scenarios. I’ve had shits more dramatic than this. 

Fuck off Venom and your amazingly high box office earnings. Just so you realise how bad this is for the future. This made more than most of the X-Men movies, more than Ant-man, more than Batman Begins and soon it will make more than Logan. 

Venom is currently the 5th biggest film in the world this year. This is what happens when you vote Leave.

If you’re an atheist and you want to convert anyone, make them watch this. They will then question whether there is a god who let this be released.

Next Week - Hidden Gems 2018 and the ones that (nearly) made the list. Yes I tend to spread this out more than a German beach towel.

In a Nutshell...Bond 25

There’s a new Bond film out?!
Yup, Christmas 2019.

Great! I love watching that misogynistic dinosaur bounce around the world bedding chicks and killing dicks. Is Danny Craig still 007 or have they relented to the PC brigade and cast Olivia Colman as Jennie Bond? 
This will reportedly be Craig’s last outing as James Bond.

I’m going to buy my tickets right now!
Not so fast

I demand an explanation for this turn of events.
The original director due to start shooting the film has backed out.

Who was this fiend?
Danny Boyle. Director of the Oscar winning Slumdog Millionaire.

I don’t watch Oscar winning arty farty films. Give me Jason Statham twatting a shark any day. Someone should make a film of the Stath twatting a shark. Google, call my agent.
Mr Boyle also made Trainspotting way back in the 90’s.

Why didn’t you say so? That film was belter. Remember when Ewan McGregor went in that toilet filled with shit. Choose life. Choose a job. Hey, maybe Ewan can choose to play the shark in my film where Jason Statham twats a shark.
Okkkkk. Anyway, the new Bond film is now in limbo because Danny left the project due to "creative differences" with the producers.

What does that mean?
Typically it means that they have wildly different ideas on how the film should play out. It could be how characters develop, the budget or the level of violence. The latest Star Wars movie sacked their directors using the same phrase.

Maybe the producers wanted to shake things up but Oh Danny Boyle wanted to...stir things up.
That’s possibly the cleverest thing you’ve ever said. Can I use that in an article I’m writing?

As long as I don’t look an idiot in the rest of it. Speaking of movies, all this talk has made me want to go and actually watch one. Seeing as I won’t be seeing 007 anytime soon, I’ll have to get my pumped up kicks elsewhere. What’s on?
There’s one called The Meg. It’s an action movie, I think you’ll find it has some...bite! *devious laugh*

That laugh seems to indicate that I’m about to be made to look like an idiot but screw it.

Films of 2017 - Part Two + Winner

2014 - Silver Linings Playbook
2015 - Whiplash
2016 - The Hateful Eight
2017...

The following is my top 5 films of the year, all of which were 5 star recommended by my good self.
Disagree? Of course you will.
I wouldn't have it any other way but a few of you seem to enjoy/troll these so I'll keep doing them.
Also, this post should take the blog past 10,000 hits so thanks for that also.

Lets wrap this shit up! Starting with No.5

5.



Baby Driver

https://www.youtube.com/watch?v=6XMuUVw7TOM

I had the opportunity to go to one of the Odeon Screen Unseen events. For those not in the know, you pay a reduced admission to see a about to be released hotly buzzed about movie. It wasn't guaranteed to be Baby Driver but it ticked all of those boxes and the relief in the cinema when the titles ran was immense.

I knew the basic premise but what I didn't know was the concept of how it plays out and the opening scene linked above sets the tone as to whether you would find Baby Driver your kind of flick. Essentially the cinematography, the dialogue, the whole setting of the scene centres on the music which is pretty much the opposite of how cinema works. If Baby, the main character drops a cup of coffee for example, it fits the timing of the music because that came first and the coffee spill was inserted to sync to the track. Get it?

Above all else, Baby Driver is the coolest film of the year.
The music is cracking and there are plenty of tunes you knew and plenty that you will add to your play list once you finish watching. It's the film that Shazam was born to accommodate.
Add some fresh faces with established character actors surrounding them, polished car chases and a relentless third act and you have yourselves a good time.

Obviously none of us knew to what extent the Hollywood sex scandal would rock the industry and to some extent, Baby Driver suffers as it features a role performed by Kevin Spacey. Without getting too deep into it, this film shouldn't suffer because of what he did which should be the same for his other meatier roles (Se7en) although some (American Beauty) may take on a different context. Chinatown hasn't been banned simply because Roman Polanski directed it, Pulp Fiction continues to be screened on TV even though Weinstein paid for it and Baby Driver should be enjoyed despite its bad luck. At least they didn't have to reshoot a whole movie in a month like Ridley Scott did...

Rant over!

4.



Dunkirk 
(Blind Watch)

This was very hard to resist but having closed my eyes to Dark Knight Rises and Interstellar, I'm not going to stop now. Nolan's films among other things a visceral journey and why would I want to ruin that months prior in a trailer? As I sat in multiple screenings this year and had to listen to the pounding Hans Zimmer score with my head down, it was all worth it in the end.

The story of Dunkirk was unknown to me (before this came out, I assumed Dunkirk related to Ireland?!) so a history lesson was a welcome addition and for those expecting a Saving Private Ryan gorefest are to be disappointed. This is about survival, not death. The enemy are seldom seen in the flesh. Your attention is transfixed on the British and even though you may know how it turns out, you still find yourself willing for the cavalry to arrive and save the world.

Tom Hardy features in a pivotal but also minor role (his face covered with a fighter pilot mask similar to that of Bane) but the stars of the film are the faces you've never seen before and weirdly, Harry Styles of One Direction. If he wasn't Harry, we wouldn't be talking about him but ever since it was announced, the hysteria of his casting was similar to when a blond haired chap got the role of 007 and we all know how wrong the tabloids/internet was then. Styles escapes with his reputation intact in my opinion.

As with Baby Driver, sound is key but in a completely different way. The score is connected to time and that's because of Dunkirk's narrative structure. Each military assault (Air, Sea and Land) relates to a different period of time whether that be aerial dogfights (one hour), a risky channel crossing (one day) or in the instance of the 400,000 strong beach battalion unit, a week of uncertainty and nowhere to escape.

3. 


La La Land

Back in January, this was doing the Oscar scene and all was well with the world. Then someone tripped a switch somewhere and a backlash was created. I have no idea why but typing this in December somehow seems more controversial then it would have done way back in the Spring.

La La Land is, as it turns out, a marmite film. There are people who love it and there are the 'other' people. The mole people who love shade and rainy days. They missed out on that job 12 years ago and take out their hate on things that people love like puppies, caramel and winning scratchcards. Obviously I love it because warm blood pumps through my veins and I have working eyes and ears. Emma Stone works her socks off and fully deserves the plaudits she received, the original songs are uplifting and will stay in your head months after you've heard them.

However the film doesn't stay with you for how it looks or how it sounds, although both most definitely do that. For me, it's how it makes you feel throughout. You are transported to a simpler time despite the film being set in present day. There is no hate, no Trump, no DC Extended Universe.

Only Sun.

2.



The Handmaiden
(Blind Watch)

According to Wikipedia, The Handmaiden is "a South Korean erotic psychological thriller film inspired from the novel Fingersmith by Welsh writer Sarah Waters, with the setting changed from Victorian era Britain to Korea under Japanese colonial rule."

No you haven't been redirected to Sight and Sound's best films of the year list, it's still the same Adam who watches Die Hard every other month and only eats orange foods. Back in the day I used to watch foreign film like nobodies business but as the years roll on, I found myself with less hours to waste away and choices to either watch Robert Downey Jnr fly around in a metal suit or the best that world cinema had to offer. I usually chose the former. 

Let me just say this. The Handmaiden is sexy as fuck! It's also very funny but its selling point is pure unadulterated eroticism. Luckily, its required to tell the story and not just tossed in for the sake of it. After the initial shock of what you're witnessing, you become accustomed to it and unclench the armrest.  As I mentioned/pasted from Wiki, the setting of the story has moved entire continents and time periods. Whilst I cannot claim to have read Fingersmith, the author has said that this is not a literal adaptation but rather "inspired" by the novel and its central themes. 

I find myself noticing the theme and use of time in this year's list (only Baby Driver in my top 5 tells a linear story with a straighforward plot ) and The Handmaiden is no different. Its narrative structure is told from varying perspectives and in flashbacks and sometimes out of order. It's a great device to tell a story of deception and romance. 

1.


A Ghost Story
(Blind Watch)

It’s not a horror film.
It’s not a thriller.
It’s exactly what it says it is...A Ghost Story.

It’s a terribly simple premise but with themes of loss, loneliness and life that could have you debating for hours. A couple struggling through marriage suffer a sudden tragedy that changes their lives forever. I don’t wish to sell it much beyond that because I honestly don’t want to go beyond that initial plot point for fear of ruining the experience. If someone told me what it was about before I watched it, I feel like it would not be my film of the year. It’s unlikely you’ve seen a trailer so please, please, try to find it online or on DVD and give it a go without reading the synopsis.

To be honest, it would have been much easier to have picked The Handmaiden or La La Land as they can be described at length but it wouldn’t have been correct. This film has stayed with me ever since I saw it and it will not leave me alone. At times during the film, I failed to blink. It is mesmerising whilst also being very still and calm. 99% of the film takes place in the one location but even that takes you to places you could never have imagined going to.

It stars Rooney Mara and Casey Affleck and is directed by David Lowery, who I’ll admit I’ve never heard of. It has the sense (at least to me) that it was previously a short film concept expanded to a feature similar to Whiplash. It was made for only $100,000 which sickens me that someone thought of this premise and made it for next to nothing while I languish here with no ideas of my own.

I only know two people who have seen this film, one loved it and one hated it. I know plenty of people that would think this is a load of shit, my wife included but they would be missing out.
It is simply...

A Ghost Story.

Films of 2017 - Part One

First up...some housekeeping.

Firstly, I am going to see Star Wars: The Last Jedi in about 2 hours so if that turns out to be da bomb, you may see it further down this page (In which case, sorry Caesar!)
Update - Star Wars was good but not top 10 good.

Again I must stress that I haven’t seen every film that came out this year. Which means by proxy that I haven’t seen that amazing Bulgarian factory drama or the movie about ‘the guy with the thing.’ Having looked at Empire’s Top 20 of 2017, I haven’t seen 8 of them (sorry, Death of Stalin) but that’s what’s great about lists, they’re open to interpretation, opinion and debate...unless you have Kingsman 2 on it because if you do you’re a fucking idiot.
Let’s go!

10.


War for the Planet of the Apes
I’ve been a fan of this series since the first instalment in 2011 (Rise of...) and the sequel that took it one step further (Dawn of - I know it’s confusing). But now it’s war and there’s no going back.
Apes has so much depth to it that naysayers will never get to see because they think it’s all computer graphic monkey bollocks. But there is so much more character to these apes that it puts two hairy fingers up at other blockbusters who toss in a damsel in distress to bump up the numbers. Caesar the ape has become a true leader with hopes of peace but in this film, those beliefs are tested to the absolute limit hence the title.
Andy Serkis deserves the vast majority of praise for the evolution of Caesar and Motion Capture in general. If Daniel Day Lewis ran round in a monkey costume, they would throw all the awards his way but because it’s a CGI character, seemingly that isn’t good enough for the academy to notice that the acting behind those pixalated eyes is bursting out.
If I were critical, the female characters in the franchise have always been weak and this film to my recollection only has one fully fleshed out female character and the big bad (Woody Harrelson) isn’t much to shout home about either but the trilogy has an beginning, a middle and an end with no weak entries.
At least they didn’t start singing and dancing!

Film in a nutshell - Ape-calypse Now

9. 


Thor: Ragnarok
(Blind Watch)

Post Guardians of the Galaxy, Marvel proved that it doesn’t all have to be all Dr Doom and gloom. It can’t be light and funny and have enough colour to put your eyes into a coma. We all could see through the years that Thor/Hemsworth like so many other characters had great comic timing but to switch Thor from a action movie to a comedy buddy movie was still bold as fuck! And it paid off royally!
Retro is back thanks to the already mentioned Guardians but also Stranger Things and a cosmic psychedelic trip through space with the God of Thunder was a masterstroke. Then add in a Hulk and you have a hit on your hands.

But we’re not done...how about Jeff Goldblum playing Jeff Goldblum but in space?”
Stop! You’ve done enough! you had me at Jeff.
Ragnarok works on many levels but none more so than forcing the character to evolve due to some extremely bold decisions which will affect his ability to function in future MCU chapters.
Film in a nutshell - Thor-oughly enjoyable!

8. 


Get Out
Empire and many other publications announced this as their film of the year and it’s easy to see why. It plays as an indie thriller, a socio-political satire and yet another example that original films can be extremely profitable.
Written and directed by Jordan Peele (of sketch duo Key and Peele fame), the premise is simple. A boyfriend travels with his girlfriend to meet her parents for the weekend. However the colour of his skin gives him doubts that the encounter will be in his favour. What happens after that is layer upon layer of mystery, tension and cringe.
The Golden Globes recently nominated it for best film under the Musical/Comedy category. I wouldn't go as far to say it's piss your pants hilarious but it definitely has the odd chortle.
It’s the kind of film that demands a second viewing once you know how it ends. As I write this, it almost feels like a movie length episode of Black Mirror so if you’re into that style and substance, you should find enjoyment here.
Film in a Nutshell - Guess Who’s Coming to Dinner + Being John Malkovich

7. 


Blade Runner 2049
I would never have imagined this being on my list when it was announced to be finally happening. I’m not a fan of the original having tried a few times to find why its beloved. It’s terribly nerdy as to why I decided to go see it but it was the team behind the camera that I trusted. Director Denis Villeneuve and cinematographer Roger Deakins have not put a foot wrong in their careers and Villeneuve’s last three films (Prisoners, Sicario and Arrival) made my lists and this continues that tradition.
To start with, the film is absolutely gorgeous. And with other films to come on the list with amazing cinematography, that category will be hard to predict come Oscar night. Every frame is crafted to within an inch of its life whether it’s a sandy terrain or a city street. Ryan Gosling is immensely watchable as the main character who gets drawn into a deeper mystery than he ever imagined. If he had only ate a bowl of cereal on screen, this would be my film of the year!
Despite the fact that there’s two guns on the poster, there is not as much action as you would expect. When it arrives it’s well executed but you don’t find yourself itching to see it either. The same can be said of the running time. It’s closer to three hours than two but again you don’t find yourself hoping that one set piece is the last. Yeah, it could chop off a few scenes and not lose its heart but it’s only a minor gripe.

I would say you would have to see the original to fully enjoy the film but as with many long awaited sequels, there is a way to watch it unaided by nostalgia. The only downside is that by the time you read this, the movie won’t be on the cinema and you really ought to watch this with the biggest and noisiest screen you can find. It’s a visual triumph.
Film in a nutshell - Blockbuster with Brains

6. 


Logan
I think it would be fair to say that the X-Men movies have been left far behind since the MCU came on the scene. Not since X-Men 2 has the mutants been on top form until now. As with Thor Ragnarok, the powers that be decided “fuck it.” In actual fact those voices was just one, Hugh Jackman. In exchange for lower salary and a lower budget, Fox agreed to let Jackman make the Logan movie he always wanted to make.

The result is bleak, brutal and bloody. Jackman looks like this was the Wolverine film that he always wanted to make and he's having fun exercising his acting chops. The surprise weapon is the Wolfie/Professor X dynamic that is at times hilarious but also deeply moving. It's the human angle that makes this a great watch rather than the mutant one. A clever side effect to the professor's worldly powers is a good concept which in parts makes up for the lack of a true cold villain, a weakness in many a comic book movie.



This is Jackman's NINTH appearance on screen as Logan and it's been a bumpy ride especially in the latter years but to see him in this justifies the choice and because we've been with him every step of the way, through good and bad, it's gleeful to see him finally find the sweet spot with the character which makes it more devastating as we're led to believe that his time as Wolverine is coming to a close.

Film in a Nutshell  - The one where Logan has to get up twice a night to take a piss.

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That's it for this week. Next week sees the final chapter of 2017 where I run down all of my 5* movies and find out which one gets the honour of Film of the Year 2017. A hint...Unlike the last three years, this film did not get released in January!
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